Everything Before Gia Part 1 Scrapbooks Cover

"Everything Before Gia" Part 1: Scrapbooks

August 2022

✧.*

Everything Before Gia was my second attempt at writing a novel. The first attempt, in 2020, taught me that I needed time to arrive at the world of my story organically, rather than forcing plot or character development inside the pages of a notebook. For my second attempt (2021) I drew inspiration from my time at the VCA to test a different approach: collaging with scissors and tape. This practice began with eighteen months left studying my Bachelor of Arts. I collaged for eighteen months. Upon my graduation I'd produced 624 pages of material across seven scrapbooks. I definitely had something!

Paraphernalia, notes and other materials were collected and distributed into piles every few months. Here is a collection of materials from mid-2021, strewn across my bedroom carpet. The narrow strips of paper came from bullet point lists of ideas that were originally text messages I sent myself. Texting myself became my primary method of recording and organising ideas on the go.

Once each pile was formed according to a theme, scene, character or concept, I placed them into plastic pockets to reduce sprawl. After each page of material was taped down, prior collages could be reinterpreted in new and revealing ways. This was by design. I wanted to continually rediscover my work and themes throughout this process. What would my novel be about? I trusted that the scrapbooking would be complete once I arrived at ideas/themes so personally compelling that I'd have no choice other than to write a full manuscript.

What ended up happening instead was that my practice forced me to acknowledge something much bigger and heavierβ€”I had been living inauthentically for twenty years. Because, as my ideas for a protagonist emerged on the page in semi-autobiographical collages, I completely failed to identify their gender. I asked myself, if this protagonist is inspired by my first-hand experiences, why don't I know something as straightforward as their gender? It became clear that they weren't boy, and neither was I. This epiphany occurred eight months into the process. Here is a photo of me during that difficult time.

The following year, in 2022, after moving houses twice (and leaving the city), extensive journaling and support from friends, I finally gained access to HRT and began medically transitioning. I grew my hair long and continued to collage throughout my transition, documenting ideas and experiences fluidly. This final batch of materials filled four scrapbooks (seven in total). I now possessed all the material I needed to write a compelling and thematically rich debut novel. I began drafting immediately, then hit a wall.


Realising I needed to sequence my ideas, I transformed these scrapbooks into a huge timeline of events. This is Part 2: Timeline.

⋆ discover more ⋆

Elena Hogan acknowledges and pays respect to the traditional custodians and first peoples of the land on which she works - the Wurundjeri people of the Kulin Nation.

Everything Before Gia Part 1 Scrapbooks Cover

"Everything Before Gia" Part 1: Scrapbooks

August 2022

✧.*

Everything Before Gia was my second attempt at writing a novel. The first attempt, in 2020, taught me that I needed time to arrive at the world of my story organically, rather than forcing plot or character development inside the pages of a notebook. For my second attempt (2021) I drew inspiration from my time at the VCA to test a different approach: collaging with scissors and tape. This practice began with eighteen months left studying my Bachelor of Arts. I collaged for eighteen months. Upon my graduation I'd produced 624 pages of material across seven scrapbooks. I definitely had something!

Paraphernalia, notes and other materials were collected and distributed into piles every few months. Here is a collection of materials from mid-2021, strewn across my bedroom carpet. The narrow strips of paper came from bullet point lists of ideas that were originally text messages I sent myself. Texting myself became my primary method of recording and organising ideas on the go.

Once each pile was formed according to a theme, scene, character or concept, I placed them into plastic pockets to reduce sprawl. After each page of material was taped down, prior collages could be reinterpreted in new and revealing ways. This was by design. I wanted to continually rediscover my work and themes throughout this process. What would my novel be about? I trusted that the scrapbooking would be complete once I arrived at ideas/themes so personally compelling that I'd have no choice other than to write a full manuscript.

What ended up happening instead was that my practice forced me to acknowledge something much bigger and heavierβ€”I had been living inauthentically for twenty years. Because, as my ideas for a protagonist emerged on the page in semi-autobiographical collages, I completely failed to identify their gender. I asked myself, if this protagonist is inspired by my first-hand experiences, why don't I know something as straightforward as their gender? It became clear that they weren't boy, and neither was I. This epiphany occurred eight months into the process. Here is a photo of me during that difficult time.

The following year, in 2022, after moving houses twice (and leaving the city), extensive journaling and support from friends, I finally gained access to HRT and began medically transitioning. I grew my hair long and continued to collage throughout my transition, documenting ideas and experiences fluidly. This final batch of materials filled four scrapbooks (seven in total). I now possessed all the material I needed to write a compelling and thematically rich debut novel. I began drafting immediately, then hit a wall.


Realising I needed to sequence my ideas, I transformed these scrapbooks into a huge timeline of events. This is Part 2: Timeline.

⋆ discover more ⋆

Elena Hogan acknowledges and pays respect to the traditional custodians and first peoples of the land on which she works - the Wurundjeri people of the Kulin Nation.